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C O A C H E S |
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Please note: Many new, larger coaches have been built during the last few seasons.
The information below (and my drawings) will be updated as time permits!
The passenger cars of the Cog Railway are perhaps the most classic-looking coaches of
any mountain railway in the world. The rustic wooden enclosures add
a 19th-century-like atmosphere to a visitor's ride up Mount Washington. The hand-crafted,
colorfully-painted cars look much like they did over 100 years ago. In recent times,
a few lightweight aluminum coaches were added, too. Today's fleet of wooden coaches
were built primarily by Rob Maclay and
hand-painted by Pete Oechsle.
They all have their own numbers,
and in some cases, nicknames.
One coach is pushed up per engine (uncoupled) for the 90-minute climb to the summit.
Below the floor are two cogs which mesh into the central rail and a pair of ratchets
which prevent the coach from moving backwards. You can easily hear their reassuring
"clinking" sound as your train pitches up the steep hill. On Jacob's Ladder, the steepest
part of the ascent, you can seemingly stand nearly sideways in the coach, whose front
end is 14' higher than the back!
For the return trip, the seats are flipped around so that passengers can again
face forward (downhill) for the descent. A coach's speed is controlled
entirely by two large brake wheels on its downhill end. (The engine's speed is
controlled by steam compression, not with
the brake wheel.) In fact, the engine and coach are never coupled, and, on steeper grades,
they actually separate (see photo at right) to lessen the push on the
locomotive. The brakeman is always adjusting one brake wheel on the descent,
while the other wheel is set to provide a fixed amount of friction.
To accomodate the Railway's increasing number of visitors, the largest coach
ever built (seating 70, dubbed "Super Coach") was constructed in 1997.
For the 1998 season, Coach #7 ("Poppy") was taken apart and used to build another
70-seater. Below is a complete list of the passenger coaches for 1998, along with a bit
of information and my drawings of each one.
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